HR EN DE

CANTABO DOMINO

CANTABO DOMINO

15.05.2026, 19:00

SIBIL•LA - RESIDENCY

SIBIL•LA - RESIDENCY

27.07.2026, 17:00

TRAVERSO

TRAVERSO

29.07.2026, 20:30

LE MATIN

LE MATIN

30.07.2026, 05:10

LE MIDI

LE MIDI

30.07.2026, 12:00

LE SOIR

LE SOIR

30.07.2026, 19:30

LA NUIT

LA NUIT

30.07.2026, 23:30

WHISPERS

WHISPERS

01.08.2026, 20:30

PURE CHOCOLATE

PURE CHOCOLATE

06.11.2026, 18:00

IL PARRASIO - RESIDENCY

IL PARRASIO - RESIDENCY

16.11.2026, 17:00

AUTUMN

AUTUMN

20.11.2026, 20:30

PROGRAM 2026

CANTABO DOMINO

15.05. | 19:00 | Church St. Jacob | Opatija

CAST

Antonija Žarković | soprano 
Antonia Pavić | baroque cello
Josip Krokar | baroque guitar 
Benjamin Pölhe | cembalo  

PROGRAMM

Giovanni Girolamo Kapsberger (1580-1651.): Figlio, dormi (iz zbirke Libro secondo di villanelle, 1619.)
Vinko Jelić (1596. - 1636.): Viri sancti (iz zbirke Parnassia Militia, 1622.)
Francesco Sponga (Usper) (1561-1641.): Sancta et Immaculata (iz zbirke Compositioni armoniche, 1619.)
Francesco Sponga (Usper): Vulnerasti cor meum (iz zbirke Ghirlanda sacra, 1625.)
Tradicijska tužaljka iz Baranje: Počivaj o moj Neven



Gli Schiavoni brings together young Croatian musicians – enthusiasts of historically informed performance of early music. After refining their skills in early music interpretation both in Croatia and abroad, they came together to delve deeper into their own country’s exceptionally rich musical heritage, which in the 17th century was deeply intertwined with European musical influences. The ensemble’s name was inspired by the famous Riva degli Schiavoni in Venice, named after the Slavic merchants who, during the Republic of Venice, arrived there with their ships, bringing goods across the Adriatic Sea, which is the coast of present-day Croatia. The area where these merchants once lived was known in the old Venetian dialect as „Schiavonia“—hence the ensemble’s name.
Alongside gems of the Baroque repertoire written for voice and basso continuo, the ensemble is dedicated to reviving Croatian and European musical traditions of the 17th century, with a special focus on works that have either never been performed or are only rarely heard today. Their mission—to present a still underexplored repertoire with freshness and conviction, and to shed light on the interplay between Croatian and European musical heritage—has been recognized by the European organization EEEMERGING, which supports young early music performers. With the support of the EEEMERGING community, the ensemble will appear at several European music festivals in 2026 and 2027.

free entry